An encounter with wildness, transmuted even as it occurs into an opportunity for self-expression. Strayed’s memoir, a New York Times bestseller translated into 28 languages, has been hailed as “a literary and human triumph” (The New York Times Book Review) that single-handedly revives the increasingly moribund genre of American nature writing. In fact, Wild is something altogether different. It’s not a “wilderness story” (again, Times Book Review) at all. It’s an Eat, Pray, Love-style autobiographical quest that only happens to be set in the outdoors. Far from reviving nature writing, Wild’s runaway success marks a further step toward extinction for the genre.